Nature-inspired Sculpture in Stone and Bronze
Nature is the great inspiration in my art work and in my life's course of action since my earliest childhood. The beauty found in the shell of a snail, the awesome geometry in patterns of pine cones and flowers, and the intriguing architecture of an insect tell a story of the evolution of function in biological design, and point at a purpose which we yet have to make sense of.
Most of my sculptures are created from granite or bronze - the finest and most durable of sculpting materials. The creation of a prototype for a bronze cast is created through an additive sculpting process, while stone is worked by removing material. The ‘direct caving’ method - without copying and measuring from a smaller model - allows for intuition and spontaneity, but it also requires excellent awareness of space and volume. There is a risk in this process considering the investments into sculpting stone, diamond tools and work hours, and great confidence in the process is required.
My most important subjects are animals (sea creatures, fish, whales, insects). My love for experimentation and diversity also lead me into other themes, resulting in my bodies of work of ‘castles’, ‘small worlds’, ‘humanoids’, and various experimental works with expressionistic or surrealistic elements.
My commission work and monuments are designed to fit the artistic requirements given by the location or purpose.
The bulk of my work falls into one of the following three categories:
Organic Style:
Nature-inspired sculptures in an organic style marked by a contrast of raw stone and refined details. I aim at intentional imperfection and an aged or fossil-like appearance.
Public works:
My public commission works are typically of a large size and with a friendly demeanor, including play sculptures which allow for positive interaction for children and adults.
Scientific Illustrations in 3D:
My naturalistic bronzes of whales and other animals serve as 'scientific illustrations in 3D'. They are meant for science centers and allow to appreciate the shape and texture visually and by touch - the latter also allowing visually impaired people to explore.